American Literature books summary
galaxy, causing the eventual destruction of the universe. The
Trafalmadorians put their hands over their eyes, which lets Billy know that
he is being stupid.
The Trafalmadorians already know how the universe will end: during
experiments with a new fuel, one of their test pilots pushes a button and
the entire universe will disappear. They cannot prevent it. It has always
happened that way. Billy correctly concludes that trying to prevent wars on
Earth is futile. The Trafalmadorians also have wars, but they choose to
ignore them. They spend their time looking at the pleasant moments rather
than the unpleasant ones; they suggest that humans learn to do the same.
Billy leaps back in time to his wedding night. It is six months after his
release from the mental ward. The narrator reminds us that Valencia and her
father are very rich, and Billy will benefit greatly from his marriage to
her. After they have sex, Valencia tries to ask Billy questions about the
war. She wants a heroic war story, but Billy does not really respond to
her. He has a crazy thought about the war, which Vonnegut says would make a
good epitaph for Billy, and for the author, too: "Everything was beautiful,
and nothing hurt." He jumps in time to that night in the prison camp. Edgar
Derby has fallen asleep. Billy, doped up still from the morphine, wanders
out of the hospital shed. He snags himself on a barbed wire fence, and
cannot extract himself until a Russian helps him.
Billy never really says a word to the Russian. He wanders to the latrine,
where the Americans are sick from the feasting. A long period without food
followed by a feast almost always results in violent sickness. Among the
sick Americans is a soldier complaining that he has shit his brains out. It
is Vonnegut. Billy leaves, passing by three Englishmen who watch the
Americans' sickness with disgust. Billy jumps in time again, back to his
wedding night. He and his wife are cozy in bed. He jumps in time again, to
1944. It is before he left for Europe; he is riding the train from South
Carolina, where he was receiving his training, all the way back to Ilium
for his father's funeral.
We return to Billy's morphine night in the POW camp. Paul Lazarro is
carried into the hospital; while attempting to steal cigarettes from a
sleeping British officer, he was beaten up. The officer is the one carrying
him. Seeing now how puny Lazarro is, the officer feels guilty for hitting
him so hard. But he is disgusted by the American POWs. A German soldier who
adores the British officers comes in and apologizes for the inconvenience
of hosting the Americans. He assures the Brits in the room that the
Americans will soon be shipped off for forced labor in Dresden. The German
officer reads propaganda materials written by Howard Campbell, Jr., a
captured American who is now a Nazi. Campbell condemns the self-loathing of
the American poor, the inequalities of America's economic system, and the
miserable behavior of American POWs. Billy falls asleep and wakes up in
1968, where his daughter Barbara is scolding him. Barbara notices the house
is icy cold and goes to call the oil-burner man.
Billy leaps in time to the Trafalmadorian zoo, where Montana Wildhack, a
motion picture star, has been brought in to mate with him. Initially
unconscious, she wakes to find naked Billy and thousands of Trafalmadorians
outside their habitat. They're clapping. She screams. Eventually, though,
she comes to love and trust Billy. After a week they're sleeping together.
He travels in time back to his bed in 1968. The oil-burner man has fixed
the problem with the heater. Billy has just had a wet dream about Montana
Wildhack. The next day, he returns to work. His assistants are surprised to
see him, because they thought that he would never practice again. He has
the first patient sent in, a boy whose father died in Vietnam. Billy tries
to comfort the boy by telling him about the Trafalmadorian concept of time.
The boy's mother informs the receptionist that Billy is going crazy.
Barbara comes to take him home, sick with worry about what how to deal with
him.
Chapter Six. Summary:
Billy wakes after his morphine night in POW camp irresistibly drawn to two
tiny treasures. They draw him like magnets; they are hidden in the lining
of his coat. It will be revealed later on exactly what they are. He goes
back to sleep, and wakes up to the sounds of the British building a new
latrine. They have abandoned their old latrine and their meeting hall to
the Americans. The man who beat up Lazarro stops by to make sure he is all
right, and Lazarro promises that he is going to have the man killed after
the war. After the amused Brit leaves, Lazarro tells Derby and Billy that
revenge is life's sweetest pleasure. He once brutally tortured a dog that
bit him. He is going to have all of his enemies killed after the war. He
tells Billy that Weary was his buddy, and he is going to avenge him by
having Billy shot after the war. Because of his time hopping, Billy knows
that this is true. He will be shot in 1976. At that time, the United States
has split into twenty tiny nations. Billy will be lecturing in Chicago on
the Trafalmadorian concept of time and the fourth dimension. He tells the
spectators that he is about to die, and urges them to accept it. After the
lecture, he is shot in the head by a high-powered laser gun.
Back in the POW camp, Billy, Derby, and Lazarro go the theater to elect a
leader. On the way over, they see a Brit drawing a line in the dirt to
separate the American and British sections of the compound. In the theater,
Americans are sleeping anywhere that they can. A Brit lectures them on
hygiene, and Edgar Derby is elected leader. Only two or three men actually
have the energy to vote. Billy dresses himself in a piece of azure curtain
and Cinderella's boots. The Americans ride the train to Dresden. Dresden is
a beautiful city, appearing on the horizon like something out of a fairy
tale. They are met by eight German irregulars, boys and old men who will be
in charge of them for the rest of the war. They march through town towards
their new home. The people of Dresden watch them, and most of them are
amused by Billy's outlandish costume. One surgeon is not. He scolds Billy
about dignity and representing his country and war not being a joke, but
Billy is honestly perplexed by the man's anger. He shows the man his two
treasures from the lining of his coat: a two-carat diamond and some false
teeth. The Americans are brought to their new home, a converted building
originally for the slaughter of pigs. The building has a large 5 on it. The
POWs are taught the German name for their new home, in case they get lost
in the city. In English, it is called Slaughterhouse Five.
Chapter Seven. Summary:
Billy is on a plane next to his father-in-law. Billy and a number of
optometrists have chartered a plane to go to a convention in Montreal.
There's a barbershop quartet on board. Billy's father-in-law loves it when
they sing songs mocking the Polish. Vonnegut mentions that in Germany Billy
saw a Pole getting executed for having sex with a German girl. Billy leaps
in time to his wandering behind the German lines with the two scouts and
Roland Weary. He leaps in time again to the plane crash. Everyone dies but
him. The plane has crashed in Vermont, and Billy is found by Austrian ski
instructors. When he hears them speaking German, he thinks he's back in the
war. He is unconscious for days, and during that time he dreams about the
days right before the bombing.
He remembers a boy named Werner Gluck, one of the guards. He was good-
natured, as awkward and puny as Billy. One day, Gluck and Billy and Derby
were looking for the kitchen. Derby and Billy were pulling a two-wheeled
cart; it was their duty to bring dinner back for the boys. Gluck pulled a
door open, thinking the kitchen might be there, and instead revealed naked
teenage girls showering, refugees from another city that was bombed. The
women scream and Gluck shuts the door. When they finally find the kitchen,
an old cook talks with the trio critically and proclaims that all the real
soldiers are dead. Billy also remembers working in the malt syrup factory
in Dresden. The syrup is for pregnant women, and it is fortified with
vitamins. The POWs do everything they can to sneak spoonfuls of it. Billy
sneaks a spoonful to Edgar Derby, who is outside. He bursts into tears
after he tastes it.
Chapter Eight. Summary:
Howard Campbell, Jr., the American-turned-Nazi propagandist, visits the
captives of Slaughterhouse Five. He wears an elaborate costume of his own
design, a cross between cowboy outfit and a Nazi uniform. The POWs are
tired and unhealthy, undernourished and overworked. Campbell offers them
good eating if they join his Free American Corps. The Corps is Campbell's
idea. Composed of Americans fighting for the Germans, they will be sent to
fight on the Russian front. After the war, they will be repatriated through
Switzerland. Campbell reasons that the Americans will have to fight the
Soviet Union sooner or later, and they might as well get it out of the way.
Edgar Derby rises for his finest moment. He denounces Campbell soundly,
praises American forms of government, and speaks of the brotherhood between
Russians and Americans. Air raid sirens sound, and everyone takes cover in
a meat locker. The firebombing will not occur until tomorrow night; these
sirens are only a false alarm. Billy dozes, and then leaps in time to an
argument with his daughter Barbara. She is worrying about what should be
done about Billy. She tells him that she feels like she could kill Kilgore
Trout.
We move to Billy's first meeting with Trout, which happened in 1964. He is
out driving when he recognizes Trout from the jackets of his books. Trout's
books have never made money, so he works as a newspaper circulation man,
bullying and terrorizing newspaper delivery boys. One of Trout's boys
quits, and Billy offers to help Trout deliver the papers on the boy's
route. He gives Trout a ride. Trout is overwhelmed by meeting an avid fan.
He has only received one letter in the course of his career, and the letter
was crazed. It was written by none other than Billy's friend from the
mental ward, Elliot Rosewater. Billy invites Kilgore Trout to his
anniversary party.
At the party, Trout is obnoxious, but the optometrists and their spouses
are still enchanted by having an actual writer among them. A barbershop
quartet sings "That Old Gang of Mine," and Billy is visibly disturbed.
After giving Valencia her gift, he flees upstairs. Lying in bed, Billy
remembers the bombing of Dresden.
We see the events as Billy remembers them. He and the other POWs, along
with four of their guards, spend the night in the meat locker. The girls
from the shower were being killed in a shallower shelter nearby. The POWs
emerge at noon the next day into what looks like the surface of the moon.
The guards gape at the destruction. They look like a silent film of a
barbershop quartet.
We move to the Trafalmadorian Zoo. Montana Wildhack asked Billy to tell her
a story. He tells her about the burnt logs, actually corpses. He tells her
about the great monuments and buildings of the city turned into a flat,
lunar surface.
We move to Dresden. Without food or water, the POWs have to march to find
some if they are to survive. They make their way across the treacherous
landscape, much of it still hot, bits of crumbling. They are attacked by
American fighter planes. The end up in the suburbs, at an inn that has
prepared to receive any survivors. The innkeeper lets the Americans sleep
in the stable. He provides them with food and drink, and goes out to bid
them goodnight as they go to bed.
Chapter Nine. Summary:
When Billy is in the hospital in Vermont, Valencia goes crazy with grief.
Driving to the hospital, she gets in a terrible accident. She gears up her
car and continues driving to the hospital, determined to get there even
though she leaves her exhaust system behind. She pulls into the hospital
driveway and falls unconscious from carbon monoxide poisoning. An hour
later, she is dead.
Billy is oblivious, unconscious in his bed, dreaming and time traveling. In
the bed next to him is Bertram Copeland Ruumford, an arrogant retired
Brigadier General in the Air Force Reserve. He is a seventy-year-old
Harvard professor and the official historian of the Air Force, and he is in
superb physical condition. He has a twenty-three year-old high school
dropout with an IQ of 103. He is an arrogant jingoist. Currently he is
working on a history of the Air Corp in World War II. He has to write a
section on the success of the Dresden bombing. Ruumfoord's wife Lily is
scared of Billy, who mumbles deliriously. Ruumfoord is disgusted by him,
because all he does in his sleep in quit or surrender.
Barbara comes to visit Billy. She is in a horrible state, drugged up so she
can function after the recent tragedies. Billy cannot hear her. He is
remembering an eye exam he gave to a retarded boy a decade ago. Then he
leaps in time when he was sixteen years old. In the waiting room of a
doctor's office, he sees an old man troubled by horrible gas. Billy opens
his eyes and he is back in the hospital in Vermont. His son Robert, a
decorated Green Beret, is there. Billy closes his eyes again.
He misses Valencia's funeral because he is till too sick. People assume
that he is a vegetable, but actually he is thinking actively about
Trafalmadorians and the lectures he will deliver about time and the
permanence of moments. Overhearing Ruumford talk about Dresden, Billy
finally speaks up and tells Ruumford that he was at Dresden. Ruumford
ignores him, trying to convince himself and the doctors that Billy has
Echonalia, a condition where the sufferer simply repeats what he hears.
Billy leaps in time to May of 1945, two days after the end of the war in
Europe. In a coffin-shaped green wagon, Billy and five other Americans ride
with loot from the suburbs of Dresden. They found the wagon, attached to
two horses, and have been using it to carry things that they have taken.
The homes have been abandoned because the Russians are coming, and the
Americans have been looting. When they go to the slaughterhouse and the
other five Americans loot among the ruins, Billy naps in the wagon. He has
a cavalry pistol and a Luftwaffe ceremonial saber. He wakes; two Germans, a
husband-and-wife pair of obstetricians, are angry about how the Americans
have treated the horses. The horses' hooves are shattered, their mouths are
bleeding from the bits, and they are extremely thirsty. Billy goes around
to look at the horses, and he bursts into tears. It is the only time he
cries in the whole war. Vonnegut reminds the reader of the epigraph at the
start of the book, an excerpt from a Christmas carol that describes the
baby Jesus as not crying. Billy cries very little.
He leaps in time back to the hospital in Vermont, where Ruumford is finally
questioning Billy about Dresden. Barbara takes Billy home later that day.
Billy is watched by a nurse; he is supposed to be under observation, but he
escapes to New York City and gets a hotel room. He plans to tell the world
about the Trafalmadorians and their concept of time. The next day, Billy
goes into a bookstore that sells pornography, peep shows, and Kilgore Trout
novels. Billy is only interested in Kilgore Trout novels. In one of the
pornographic magazines, there is an article about the disappearance of porn
star Montana Wildhack. Later, Billy sneaks onto a radio talk show by posing
as a literary critic. The critics take turns discussing the novel, but when
Billy gets his turn he talks about Trafalmadore. At the next commercial
break, he is made to leave. When he goes back to his hotel room and lies
down, he travels back in time to Trafalmadore. Montana is nursing their
child. She wears a locket with a picture of her mother and the same prayer
that Billy had on his office wall in Ilium.
Chapter Ten. Summary:
Vonnegut tells us that Robert Kennedy died last night. Martin Luther King,
Jr., was assassinated a month ago. Body counts are reported every night on
the news as signs that the war in Vietnam is being won. Vonnegut's father
died years ago of natural causes. He left Billy all of his guns, which
rust. Billy claims that on Trafalmadore the aliens are more interested in
Darwin than Jesus. Darwin, says Vonnegut, taught that death was the means
to progress. Vonnegut recalls the pleasant trip he made to Dresden with his
old war buddy, O'Hare. They were looking up facts about Dresden in a little
book when O'Hare came across a passage on the exploding world population.
By 2000, the book predicts, the world will have a population of 7 billion
people. Vonnegut says that he supposes they will all want dignity.
Billy Pilgrim travels back in time to 1945, two days after the bombing of
Dresden. German authorities find the POWs in the innkeeper's stable. Along
with other POWs, they are brought back to Dresden to dig for bodies. Bodies
are trapped in protected pockets under the rubble, and the POWs are put to
work bringing them up. But after one of the workers is lowered into a
pocket and dies of the dry heaves, the Germans settle on incinerating the
bodies instead of retrieving them. During this time, Edgar Derby is caught
with a teapot he took from the ruins. He is tried and executed by a firing
squad.
Then the POWs were returned to the stable. The German soldiers went off to
fight the Soviets. Spring comes, and one day in May the war is over. Billy
and the other men go outside into the abandoned suburbs. They find a horse-
drawn wagon, the wagon green and shaped like a coffin. The birds sing, "Po-
tee-weet?"
The Sound and the Fury
Summary of April Seventh, 1928:
This section of the book is commonly referred to as "Benjy's section"
because it is narrated by the retarded youngest son of the Compson family,
Benjamin Compson. At this point in the story, Benjy is 33 years old - in
fact, today is his birthday - but the story skips back and forth in time as
various events trigger memories. When the reader first plunges into this
narrative, the jumps in time are difficult to navigate or understand,
although many scenes are marked by recurring images, sounds, or words. In
addition, a sort of chronology can be established depending on who is
Benjy's caretaker: first Versh when Benjy is a child, then T. P. when he is
an adolescent, then Luster when he is an adult. One other fact that may
confuse first-time readers is the repetition of names. There are, for
example, two Jasons (father and son), two Quentins (Benjy's brother and
Caddy's daughter), and two Mauries (Benjy himself before 1900 and Benjy's
uncle). Benjy recalls three important events: the evening of his
grandmother "Damuddy's" death in 1898, his name change in 1900, and Caddy's
sexual promiscuity and wedding in 1910, although these events are
punctuated by other memories, including the delivery of a letter to his
uncle's mistress in 1902 or 1903, Caddy's wearing perfume in 1906, a
sequence of events at the gate of the house in 1910 and 1911 that
culminates in his castration, Quentin's death in 1910, his father's death
and funeral in 1912, and Roskus's death some time after this. I will
summarize each event briefly.
The events of the present day (4/7/28) center around Luster's search for a
quarter he has lost somewhere on the property. He received this quarter
from his grandmother Dilsey in order to go to the circus that evening.
Luster takes Benjy with him as he searches by the golf course that used to
be the Compson's pasture, by the carriage house, down by the branch of the
Yoknapatawpha River, and finally near Benjy's "graveyard" of jimson flowers
in a bottle.
As the story opens, Benjy and Luster are by the golf course, where the
golfers' cries of "caddie" cause Benjy to "beller" because he mistakes
their cries for his missing sister Caddy's name. In the branch, Luster
finds a golfer's ball, which he later tries to sell to the golfers; they
accuse him of stealing it and take it from him. Luster tries to steer Benjy
away from the swing, where Miss Quentin and her "beau" (one of the
musicians from the circus) are sitting, but is unsuccessful. Quentin is
furious and runs into the house, while her friend jokes with Luster and
asks him who visits Quentin. Luster replies that there are too many male
visitors to distinguish.
Luster takes Benjy past the fence, where Benjy sees schoolgirls passing
with their satchels. Benjy moans whenever Luster tries to break from the
routine path Benjy is used to. At Benjy's "graveyard," Luster disturbs the
arrangement of flowers in the blue bottle, causing Benjy to cry. At this
Luster becomes frustrated and says "beller. You want something to beller
about. All right, then. Caddy. . . . Caddy. Beller now. Caddy" (55).
Benjy's crying summons Dilsey, Luster's grandmother, who scolds him for
making Benjy cry and for disturbing Quentin. They go in the kitchen, where
Dilsey opens the oven door so Benjy can watch the fire. Dilsey has bought
Benjy a birthday cake, and Luster blows out the candles, making Benjy cry
again. Luster teases him by closing the oven door so that the fire "goes
away." Dilsey scolds Luster again. Benjy is burned when he tries to touch
the fire. His cries disturb his mother, who comes to the kitchen and
reprimands Dilsey. Dilsey gives him an old slipper to hold, an object that
he loves.
Luster takes Benjy to the library, where his cries disturb Jason, who comes
to the door and yells at Luster. Luster asks Jason for a quarter. At
dinner, Jason interrogates Quentin about the man she was with that
afternoon and threatens to send Benjy to an asylum in Jackson. Quentin
threatens to run away, and she and Jason fight. She runs out of the room.
Benjy goes to the library, where Luster finds him and shows him that
Quentin has given him a quarter. Luster dresses Benjy for bed; when Benjy's
pants are off he looks down and cries when he is reminded of his
castration. Luster puts on his nightgown and the two of them watch as
Quentin climbs out her window and down a tree. Luster puts Benjy to bed.
Benjy's memories, in chronological order:
Damuddy's death, 1898: Benjy is three years old and his name at this point
is still Maury. Caddy is seven, Quentin is older (nine?) and Jason is
between seven and three.
The four children are playing in the branch of the river. Roskus calls them
to supper, but Caddy refuses to come. She squats down in the river and gets
her dress wet; Versh tells her that her mother will whip her for that.
Caddy asks Versh to help her take her dress off, and Quentin warns him not
to. Caddy takes off her dress and Quentin hits her. The two of them fight
in the branch and get muddy. Caddy says that she will run away, which makes
Maury/Benjy cry; she immediately takes it back. Roskus asks Versh to bring
the children to the house, and Versh puts Caddy's dress back on her.
They head up to the house, but Quentin stays behind, throwing rocks into
the river. The children notice that all the lights are on in the house and
assume that their parents are having a party. Father tells the children to
be quiet and to eat dinner in the kitchen; he won't tell them why they have
to be quiet. Caddy asks him to tell the other children to mind her for the
evening, and he does. The children hear their mother crying, which makes
Maury/Benjy cry. Quentin is also agitated by her crying, but Caddy
reassures him that she is just singing. Jason too begins to cry.
The children go outside and down to the servants' quarters, where Frony and
T. P. (who are children at this point) have a jar of lightning bugs. Frony
asks about the funeral, and Versh scolds her for mentioning it. The
children discuss the only death they know - when their mare Nancy died and
the buzzards "undressed her" in a ditch. Caddy asks T. P. to give
Maury/Benjy his jar of lightning bugs to hold. The children go back up to
the house and stop outside the parlor window. Caddy climbs up a tree to see
in the window, and the children watch her muddy drawers as she climbs.
Dilsey comes out of the house and yells at them. Caddy tells the others
that their parents were not doing anything inside, although she may be
trying to protect them from the truth. The children go inside and upstairs.
Father comes to help tuck them into bed in a strange room. Dilsey dresses
them and tucks them in, and they go to sleep.
Benjy's name change, 1900: Benjy is five years old, Caddy is nine, etc.
Benjy is sitting by the library fire and watching it. Dilsey and Caddy
discuss Benjy's new name; Dilsey wants to know why his parents have changed
it, and Caddy replies that mother said Benjamin was a better name for him
than Maury was. Dilsey says that "folks don't have no luck, changing names"
(58). Caddy brings Benjy to where her mother is lying in the bedroom with a
cloth on her head, to say good night. Benjy can hear the clock ticking and
the rain falling on the roof. Mother chides Caddy not to carry him because
he is too heavy and will ruin her posture. She holds Benjy's face in her
hands and repeats "Benjamin" over and over. Benjy cries until Caddy holds
his favorite cushion over his mother's head.
She leads him to the fire so that he can watch it. Father picks him up,
and he watches the reflection of Caddy and Jason fighting in the library
mirror. Father puts him down and breaks up Caddy and Jason, who are
fighting because Jason cut up all of Benjy's paper dolls. Father takes
Jason to the room next door and spanks him. They all sit by the fire, and
Benjy holds his cushion. Quentin comes and sits next to them. He has been
in a fight at school and has a bruise. Father asks him about it. Versh sits
next to them and tells them a story about a "bluegum" he knows who changed
his name too. Father tells him to be quiet. Caddy and Versh feed Benjy his
dinner, and the four children sit in father's lap. Benjy says that Caddy
and Quentin smell like trees and rain.
Versh, Caddy and Benjy go outside, December 23, 1902: Benjy is seven years
old and Caddy is eleven.
Benjy is crying because he wants to go outside. Mother says it is too cold
for him and he will freeze his hands. She says that if he won't be quiet he
will have to go to the kitchen. Versh replies that Dilsey wants him out of
the kitchen because she has a lot of cooking to do, and Uncle Maury tells
her to let him go outside. Versh puts on his coat and they go outside;
Versh tells him to keep his hands in his pockets. Caddy comes through the
gate, home from school. She takes his hands and they run through the fallen
leaves into the house. Caddy puts him by the fire, and Versh starts to take
his coat off, but Caddy asks if she can take him outside again. Versh puts
on his overshoes again, and mother takes his face in her hands and calls
him "my poor baby," but Caddy kneels by him and tells him that he is not a
poor baby at all because he has her. Benjy notices that she smells like
trees.
Caddy and Benjy deliver Uncle Maury's letter to Mrs. Patterson, December
25, 1902.
Caddy and Benjy cross the yard by the barn, where the servants are killing
a pig for dinner. Caddy tells Benjy to keep his hands in his pockets and
lets him hold the letter. She wonders why Uncle Maury did not send Versh
with the letter. They cross the frozen branch and come to the Patterson's
fence. Caddy takes the letter and climbs the fence to deliver it. Mrs.
Patterson comes out of the house.
Benjy delivers a letter to Mrs. Patterson alone, spring 1903: Benjy is
eight years old.
Benjy is at the Patterson's fence. Mr. Patterson is in the garden cutting
flowers. Mrs. Patterson runs from the house to the fence, and Benjy cries
when he sees her angry eyes. She says that she told Maury not to send Benjy
alone again, and asks Benjy to give her the letter. Mr. Patterson comes
running, climbs the fence and takes the letter. Benjy runs away.
Caddy wears perfume, 1906: Benjy is ten years old and Caddy is fourteen.
Caddy tries to hug Benjy but he cries and pushes her away. Jason says that
he must not like her "prissy dress," and says that she thinks she is all
grown up just because she is fourteen. Caddy tries to hush Benjy, but he
disturbs their mother, who calls them to her room. Mother tells Caddy to
give Benjy his box full of cut-out stars. Caddy walks to the bathroom and
washes the perfume off. Benjy goes to the door. Caddy opens the door and
hugs him; she smells like trees again. They go into Caddy's room and she
sits at her mirror. Benjy starts to cry again. She gives him the bottle of
perfume to smell and he runs away, crying. She realizes what made him cry
and tells him she will never wear it again. They go to the kitchen, and
Caddy tells Dilsey that the perfume is a present from Benjy to her. Dilsey
takes the bottle, and Caddy says that "we don't like perfume ourselves"
(43).
Caddy in the swing, 1907?: Benjy is eleven or twelve and Caddy is fifteen
or sixteen.
Benjy is out in the yard at night. T. P. calls for him through the window.
He watches the swing, where there are "two now, then one in the swing"
(47). Caddy comes running to him, asking how he got out. She calls for T.
P. Benjy cries and pulls at her dress. Charlie, the boy she is with on the
swing, comes over and asks where T. P. is. Benjy cries and she tells
Charlie to go away. He goes, and she calls for T. P. again. Charlie comes
back and puts his hands on Caddy. She tells him to stop, because Benjy can
see, but he doesn't. She says she has to take Benjy to the house. She takes
his hand and they run to the house and up the porch steps. She hugs him,
and they go inside. Charlie is calling her, but she goes to the kitchen
sink and scrubs her mouth with soap. Benjy sees that she smells like trees
again.
Benjy sleeps alone for the first time, 1908: Benjy is thirteen years old.
Dilsey tells Benjy that he is too old to sleep with anyone else, and that
he will sleep in Uncle Maury's room. Uncle Maury has a black eye and a
swollen mouth, and Father says that he is going to shoot Mr. Patterson.
Mother scolds him and father apologizes. He is drunk.
Dilsey puts Benjy to bed alone, but he cries, and Dilsey comes back. Then
Caddy comes in and lies in the bed with him. She smells like trees. Dilsey
says she will leave the light on in Caddy's room so she can go back there
after Benjy has fallen asleep.
Caddy loses her virginity, 1909: Benjy is fourteen years old and Caddy is
eighteen.
Caddy walks quickly past the door where mother, father, and Benjy are.
Mother calls her in, and she comes to the door. She glances at Benjy, then
glances away. He begins to cry. He goes to her and pulls at her dress,
crying. She is against the wall, and she starts to cry. He chases her up
the stairs, crying. She stops with her back against the wall, crying, and
looks at him with her hand on her mouth. Benjy pushes her into the
bathroom.
Caddy's wedding, 1910: Benjy is fifteen years old and Caddy is nineteen.
Benjy, Quentin, and T. P. are outside the barn, and T. P. has given Benjy
some sarsaparilla to drink; they are both drunk. Quentin pushes T. P. into
the pig trough. They fight, and T. P. pushes Benjy into the trough. Quentin
beats T. P., who can't stop laughing. He keeps saying "whooey!". Versh
comes and yells at T. P. Quentin gives Benjy some more sarsaparilla to
drink, and he cries. T. P. takes him to the cellar, and then goes to a tree
outside the parlor. T. P. drinks some more. He gets a box for Benjy to
stand on so he can see into the parlor. Through the window, Benjy can see
Caddy in her wedding veil, and he cries out, trying to call to her. T. P.
tries to quiet him. Benjy falls down and hits his head on the box. T. P.
drags him to the cellar to get more sarsaparilla, and they fall down the
stairs into the cellar. They climb up the stairs and fall against the fence
and the box. Benjy is crying loudly, and Caddy comes running. Quentin also
comes and begins kicking T. P. Caddy hugs Benjy, but she doesn't smell like
trees any more, and Benjy begins to cry.
Benjy at the gate crying, 1910.
Benjy is in the house looking at the gate and crying, and T. P. tells him
that no matter how hard he cries, Caddy is not coming back.
Later, Benjy stands at the gate crying, and watches some schoolgirls pass
by with their satchels. Benjy howls at them, trying to speak, and they run
by. Benjy runs along the inside of the fence next to them to the end of his
yard. T. P. comes to get him and scolds him for scaring the girls.
Quentin's death, 1910.
Benjy is lying in T. P.'s bed at the servants' quarters, where T. P. is
throwing sticks into a fire. Dilsey and Roskus discuss Quentin's death
without mentioning his name or Caddy's name. Roskus talks about the curse
on the family, saying "aint the sign of it laying right there on that bed.
Aint the sign of it been here for folks to see fifteen years now" (29).
Dilsey tells him to be quiet, but he continues, saying that there have been
two signs now (Benjy's retardation and Quentin's death), and that there
would be one more. Dilsey warns him not to mention Caddy's name. He replies
that "they aint no luck on this place" (29). Dilsey tucks Benjy into T.
P.'s bed and pulls the covers up.
Benjy attacks a girl outside the gate and is castrated, 1911: Benjy is
sixteen years old.
Benjy is standing at the gate crying, and the schoolgirls come by. They
tell each other that he just runs along the inside of the fence and can't
catch them. He unlatches the gate and chases them, trying to talk to them.
They scream and run away. He catches one girl and tries to talk to her,
perhaps tries to rape her.
Later, father talks about how angry Mr. Burgess (her father) is, and wants
to know how Benjy got outside the gate. Jason says that he bets father will
have to send Benjy to the asylum in Jackson now, and father tells him to
hush.
Mr. Compson's death, 1912: Benjy is seventeen.
Benjy wakes up and T. P. brings him into the kitchen where Dilsey is
singing. She stops singing when Benjy begins to cry. She tells T. P. to
take him outside, and they go to the branch and down by the barn. Roskus is
in the barn milking a cow, and he tells T. P. to finish milking for him
because he can't use his right hand any more. He says again that there is
no luck on this place.
Later that day, Dilsey tells T. P. to take Benjy and the baby girl Quentin
down to the servants' quarters to play with Luster, who is still a child.
Frony scolds Benjy for taking a toy away from Quentin, and brings them up
to the barn. Roskus is watching T. P. milk a cow.
Later, T. P. and Benjy are down by the ditch where Nancy's bones are. Benjy
can smell father's death. T. P. takes Benjy and Quentin to his house, where
Roskus is sitting next to the fire. He says "that's three, thank the Lawd .
. . I told you two years ago. They aint no luck on this place" (31). He
comments on the bad luck of never mentioning a child's mother's name and
bringing up a child never to know its mother. Dilsey shushes him, asking
him if he wants to make Benjy cry again. Dilsey puts him to bed in Luster's
bed, laying a piece of wood between him and Luster.
Mr. Compson's funeral, 1912.
Benjy and T. P. wait at the corner of the house and watch Mr. Compson's
casket carried by. Benjy can see his father lying there through the glass
in the casket.
Trip to the cemetery, 1912.
Benjy waits for his mother to get into the carriage. She comes out and asks
where Roskus is. Dilsey says that he can't move his arms today, so T. P.
will drive them. Mother says she is afraid to let T. P. drive, but she gets
in the carriage anyway. Mother says that maybe it would be for the best if
she and Benjy were killed in an accident, and Dilsey tells her not to talk
that way. Benjy begins to cry and Dilsey gives him a flower to hold. They
begin to drive, and mother says she is afraid to leave the baby Quentin at
home. She asks T. P. to turn the carriage around. He does, and it tips
precariously but doesn't topple. They return to the house, where Jason is
standing outside with a pencil behind his ear. Mother tells him that they
are going to the cemetery, and he asks her if that was all she came back to
tell him. She says she would feel safer if he came, and he tells her that
Father and Quentin won't hurt her. This makes her cry, and Jason tells her
to stop. Jason tells T. P. to drive, and they take off again.
Roskus's death, later 1920s: Luster is old enough to take care of Benjy by
now.
Dilsey is "moaning" at the servants' quarters. Benjy begins to cry and the
dog begins to howl, and Dilsey stops moaning. Frony tells Luster to take
them down to the barn, but Luster says he won't go down there for fear he
will see Roskus's ghost like he did last night, waving his arms.
Analysis of April 7, 1928:
The title of this novel comes from Shakespeare's Macbeth, Act five, scene
five, in Macbeth's famous speech about the meaninglessness of life. He
states that it is "a tale / Told by an idiot, full of sound and fury, /
signifying nothing." One could argue that Benjy is the "idiot" referred to
in this speech, for indeed his section seems, at first reading, to "signify
nothing." No one vignette in his narrative seems to be particularly
important, much of it detailing the minutiae of his daily routine. His
speech itself, the "bellering" with which me makes himself heard, does, in
fact, "signify nothing," since he is unable to express himself even when he
wants to in a way other than howling. However, Benjy Compson is not merely
an idiot, and his section is much more meaningful than it first seems.
When discussing Mr. Compson's death, Roskus states that Benjy "know a lot
more than folks thinks" (31), and in fact, for all his idiocy, Benjy does
sense when things are wrong with his self-contained world, especially when
they concern his sister Caddy. Like an animal, Benjy can "smell" when Caddy
has changed; when she wears perfume, he states that she no longer smells
"like trees," and the servants claim that he can smell death. He can also
sense somehow when Caddy has lost her virginity; she has changed to him.
From the time she loses her virginity on, she no longer smells like trees
to him. Although his section at first presents itself as an objective
snapshot of a retarded boy's perceptions of the world, it is more ordered
and more intelligent than that.
Most of the memories Benjy relates in his section have to do with Caddy,
and specifically with moments of loss related to Caddy. The first memory of
Damuddy's death, for example, marks a change in his family structure and a
change in his brother Jason, who was the closest to Damuddy and slept in
her room. His many memories of Caddy are mostly concerned with her
sexuality, a fact that changes her relationship with him and eventually
removes her from his life. His later memories are also associated with some
sort of loss: the loss of his pasture, of his father, and the loss
associated with his castration. Critics have pointed out that Benjy's
narrative is "timeless," that he cannot distinguish between present and
past and therefore relives his memories as they occur to him. If this is
the case, he is caught in a process of constantly regenerating his sister
in memory and losing her simultaneously, of creating and losing at the same
time. His life is a constant cycle of loss and degenerative change.
If Benjy is trapped in a constantly replaying succession of losses, the
objects that he fixates on seem to echo this state. He loves fire, for
instance, and often stares into the "bright shapes" of the fire while the
world revolves around him. The word "fire" is mentioned numerous times in
the memory of his name change. Caddy and the servants know that he stops
crying when he looks at the fire, which is the reason in the present day
that Luster makes a fire in the library even though one is not needed.
The fire is a symbolic object; it is conventionally associated with the
contrast between light and dark, heat and cold. It is a comfort, not merely
to Benjy because of the pleasure he receives in watching it, but because it
is associated with the hearth, the center of the home. As critics have
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